![]() ![]() After graduating from Galloup, Ian worked as a luthier at Saratoga Guitar, in Saratoga Springs, New York, doing minor repair and store stock setups, before relocating to the West Coast in 2011. where he built four more instruments and received extensive training in instrument construction, musical acoustics, and guitar repair and restoration. Wanting to further his education in lutherie, Ian traveled to Big Rapids, Michigan, to attend the Galloup School of Lutherie. In 2007, Ian attended Vermont Instruments, in Post Mills, Vermont, where he designed and built his first acoustic guitar, a concert sized Manzer wedge. Finish touch up and repair - email for quoteĪfter years of modding and tinkering with his own instruments, Ian Pender built his first electric guitar from scratch when he was 17.In most cases, we do not offer full refinishes. Finish touch ups are available for an additional cost, quoted on a case-by-case basis. Labor costs for repair work, including crack repairs and headstock reglues, do not include finish touch up. Our luthier stocks Indian rosewood and ebony bridge blanks for fabricating replacement bridges, and also has a small stash of other wood options available for special projects. It also shrinks as it dries, pulling the bridge and sound board tightly together for good tonal transfer. While its short open time makes it difficult to work with, it dries harder and is less prone to cold creep than aliphatic resin or polyvinyl acetate wood glues. Our luthier prefers hot hide glue for most bridge reglues. A seamless fit between the bridge and top is crucial for proper transfer of string vibration to the sound board, so all old glue residue must be carefully scraped and removed prior to regluing a bridge. These sections of missing wood may have to be patched, which can also increase labor time, and therefore, cost. Sometimes, when a bridge pulls loose, it tears material from the top with it. In order to ensure a proper bond, the finish beneath has to be carefully removed, in order to achieve a seamless joint. For example, on many import guitars, the bridges are simply super glued directly to the finish. Here is the Deets I found on the webs about this model: dreadnought style body, solid Sitka spruce top, solid mahogany back and sides, rosewood fingerboard with abalone "Gingko" position markers, rosewood bridge, abalone rosette, tortoise bound body, 4-color top purfle, clear pickguard, inlaid ivoroid logo on headstock, available in Natural Gloss finish.Labor rates for bridge reglues and replacements are base prices only prices may be subject to increase depending on complexity of job, or if additional work is required. This is a great guitar and I'm sad to let it go but I just don't play it enough to warrant having it so I'd like it to go to a home where it will see more use. Mostly played in home and not too many performances. ![]() It lives in it's case when not in use and has a humidifier filled to prevent drying out when needed so has been well cared for. Other then the cosmetic bubbling of the finish this guitar is in excellent shape. The biggest place this apparent is on the underside where it would rest on your leg where a piece of the clear coat came off. This model in particular had some issues with the clear coat finish lifting away from the body (mostly around the body binding) as you can see from the detail pics. This is a Made in the USA Tacoma DM18 Dreadnaught Acoustic with hardshell case. ![]()
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